Site-specific VR-lecture, 2017
First lignite mine shaft, then conversion in the GDR, then dilapidation. What historical authenticity can such virtual experiences develop in the auratic context of a real system? Is the logic of representation limited by the medium? How do different representations — rough 3D scans, clean 3D models, a talk, poetry — as different kinds of prosthetic knowledge alter our acceptance of its history, as a heritage, and its existence as a "memory"? A polemic, drawing on Jorge Luis Borges' 1947 short story El Inmortal (The Immortal).
2D documentary video (10:18, German audio - Spanish subtitles available)
Camera and 3D scan boom: Julie Hart
Sound: Leon Naffin
3D model template: Bernd Mörsberger
3D scan software: BundleFusion
Thanks to: Leon Naffin, Ortrun Bargholz